Charlotta Palmstierna Einarsson takes a closer look at the often peculiar, sometimes incongruous physical movements and gestures that characters perform in Samuel Beckett’s drama, viz. mis-movements. Sensitivity to the embodied aspects of life is topical in Beckett’s drama, but such mis-movements underwrite the intrinsic connections between sense and sense-making to safeguard an ethics of interpretation founded on embodied cognition. Tracing Beckett’s aesthetics of gesture back to its phenomenological and embodied roots, Einarsson suggests that the use of mis-movements in Beckett’s drama is a methodological solution to the predicament of expression that exposes the injustices done by language to audiences as embodied knowers. More than interpretative dilemmas, mis-movements offer conduits for spectators to re-connect with embodied experience. Thus, they are the poetic means through which an alternative ethics of interpretation begins to emerge.
Charlotta P. Einarsson
Charlotta Palmstierna Einarsson is a senior lecturer in English Literature at Mid Sweden University, Sweden. She is the author of A Theatre of Affect: The Corporeal Turn in Samuel Beckett’s Drama (2017).
Håkan Larsson
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Delivery time
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Delivery time 2-3 working days.
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| Photos from | Håkan Larsson |
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Number of Pages |
238
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Type |
Paperback
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Publication date |
27.03.2024
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Series |
Samuel Beckett in Company
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Language |
English
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Format |
210,0 mm x 148,0 mm
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ISBN
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978-3-8382-1298-2
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Product safety information (EU GPSR)
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