This revised and expanded volume examines the intersections of aesthetics and morality and asks what Decadence means to art and society at various moments in British literature. As time passes, the definition of what it takes to be D/decadent changes. The decline from a higher standard, social malaise, aesthetic ennui – all these ideas presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. The conflict underlying the contributions to this collection is that of society`s moral contempt vis-a-vis the focus on the fleeting present on part of the purportedly decadent artists; who in turn thought the truly decadent to be the stranglehold society maintained on individual interpretation and the interpretation of oneself.
Paul Fox
Shafquat Towheed
Brian Burton
Heather Marcovitch
Ann-Catherine Nabholz
Michael Catanzaro
Deborah Lutz
Eric Langley
James Whitlark
Bonnie Robinson
Ewa Macura
Sarah Maier
Peter Christensen
Petra Dierkes-Thrun
| Delivery time | Delivery time 2-3 working days. |
| Edited by | Paul Fox |
|---|
| Contributions by | Shafquat Towheed , Brian Burton , Heather Marcovitch , Ann-Catherine Nabholz , Michael Catanzaro , Deborah Lutz , Eric Langley , James Whitlark , Bonnie Robinson , Ewa Macura , Sarah Maier , Peter Christensen , Petra Dierkes-Thrun |
| Number of Pages | 430 |
| Format | 21,0 cm x 14,8 cm |
| Type | Paperback |
| | 2. enlarged edition |
| Publication date | 01.03.2014 |
| Language | English |
| ISBN | 978-3-89821-573-2 |
| Weight | 577 g |
| Product safety information (EU GPSR) | read more |
"The vigorous endurance of fin-de-siècle ideas is apparent in this welcome collection of fifteen essays. [.] This collection shows that Decadent studies are in no danger of decline." English Literature in Transition, 1880-1920