This monograph examines Caryl Phillips’s The Nature of Blood (1997), a novel exploring recurring expressions of exclusion and discrimination throughout history with particular focus on Jewish and African diasporas and the storytelling of its migrant characters. Particular attention is given to the analysis of characters revealing different facets of the Jewish question. Maria Festa also provides a historical excursus on the notion of race and considers another character alluding to Shakespeare’s Othello to expose the paradoxes of the relationship between subjugator and subjugated. The study makes the case that among the novel’s most remarkable achievements is Phillips’s effort to redress the absence of the Other from our history, that by depicting experiences of displacement, and by confronting readers with seemingly disconnected narrative fragments, The Nature of Blood is a reminder of the missing stories, the voices—marginalised and often racialized—that Western history has consistently failed to include in its accounts of the past and arguably its present.
Maria Festa
Maria Festa has an MA in Anglophone Postcolonial Literature from the Department of Foreign Languages, Literatures and Modern Cultures, University of Turin, Italy. She is contributor to and co-editor with Carmen Concilio of Word and Image in Literature and the Visual Arts (Mimesis International 2016). She has published articles on Anglophone cultures and literatures for the journals RiCognizioni, From the European South, Lectures du monde anglophone, CoSMo.
| Delivery time | Delivery time 2-3 working days. |
| Number of Pages | 196 |
| Publication date | 20.10.2020 |
| Language | English |
| Type | Paperback |
| Format | 8,3 in x 5,8 in |
| ISBN | 978-3-8382-1433-7 |
| Weight | 257 g |
| Product safety information (EU GPSR) | read more |
"In her reading of Caryl Phillips’s The Nature of Blood, Maria Festa studies the unique ways in which the narrative of racism, Nazi camps, traumatic memory, and black consciosness meet the issues of historical imagination. Literature and traumatic fiction are here once again the source of a tenacious counter-memory."—Roberto Beneduce, Professor of Medical and Psychological Anthropology, University of Turin, and co-author of Frantz Fanon: Psychiatry and Politics
"In her compelling, articulate and scholarly work, Maria Festa achieved a lucid view of the entanglement between the Black and the Jewish question across European history and in the literary masterpiece of Caryl Phillips, one of the outstanding novel writers in English of our times."—Carmen Concilio, Professor of English and Postcolonial Literature, University of Turin
"Maria Festa’s insightful textual analysis of The Nature of Blood succeeds in broadening the reader's experience of this rich and complex novel. She sheds light on recurring historical patterns of oppression and characters’ psychological responses to that oppression in the narrative to underscore a deeply embedded culture of dehumanization and marginalization of 'foreigners' evident throughout European history. The particular attention given in this study to the role of the omniscient narrator’s voice in bridging gaps in the narrative along with Maria Festa’s research on the background of the historical events depicted help to render the genius of The Nature of Blood all the more apparent to new and returning readers of the novel."—Pietro Deandrea, Professor of English and Postcolonial literature, University of Turin
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